Audio-Technica has been at the forefront in helping wireless users navigate the 600 MHz changes resulting from the FCC’s spectrum auction.
Has the selection of microphones offered by your favorite electronics store ever overwhelmed you? Have you stared in awe at the vast array of silver or black, big or small, expensive or cheap microphones available to you?
Recently, a sound design forum that I belong to debated on what the audio levels should be in a film. I, of course, chimed in. I was surprised that there were so many different opinions. The group is a good cross section of the sound design community being made up of amateur, prosumer and professional participants. However, despite this eclectic group, there was no definitive answer. There were some guidelines and a general understanding, but still no definitive answer. So, how do you go about mixing sound to picture? I'm glad you asked!
This installment of our blog series on Basic Audio Techniques for Video provides more solutions for hiding lavalier microphones while rigging talent.
This installment of our blog series on Basic Audio Techniques for Video explains the basics of working with wireless mic systems.
In this installment of our blog series on Basic Audio Techniques for Video we’ll explain how to select the proper handheld mic for filming.
In this installment of our blog series on Basic Audio Techniques for Video we’ll explain how to select the right shotgun microphone for different situations on set.
In this installment of our blog series on Basic Audio Techniques for Video, we’ll explain how to use a boompole.
Great sounding audio is key when producing a high quality video.
Hands down the most over-looked element of any television production is the audio.
A few months ago, I was watching an episode of Family Guy.
Documentary work requires not only great video, but great sound too. Here are nine tricks that will help capture the best audio.
Recording in the field is like camping: you only have the supplies you take with you!
Whether you are producing a commercial, infomercial, corporate video or even episodic television, you’re going to need to know how to record the human voice.
One of the most common questions we get from beginning video producers is “how do I get my video to be more like what I see in movies and TV?”
There is obviously a need to use external audio recorders when you need to record more than two channels or when you need the absolute highest quality sound.
Impedance is very important because selecting the wrong impedance mic can cause immediate and sometimes serious problems.
It's time to record the narration for your next video production. You want to produce the best audio quality possible, keeping your narration free of plosives, but can't bring yourself to part with $30 to purchase a hoop-style windscreen like the pros use.
A good wired microphone is perfect for reliable high quality audio, but sometimes the wires get in the way.
If you gather ten sound engineers in a room and ask them what’s the best way to record something, don’t be surprised when you get ten different answers.